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Life Lessons from Claude Debussy

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EDITOR'S NOTE

This article is part of a series called Art Month. We'll highlight more on the intersection of faith and art during December.

I still remember my last piano recital. I was one of the senior students, so I was one of the last to perform. I sat, palms sweaty and heart thumping wildly for an hour as the minutes ticked by until my turn came.

When I heard my teacher call my name, my stomach fell as I rose to my feet. I approached the piano aware of the rapt attention of the audience. I sat down and had to wipe my hands on the legs before playing. And then, heart thumping loudly enough to be a metronome, I played Claude Debussy’s beloved “Clair de Lune.”

I learned a lot about life from “Clair de Lune.” If you don’t work hard, it will show (and your piano teacher will definitely know). Or, there are some things in life you just cannot put off until the last minute and expect to do well. But the most profound thing I learned along my journey with piano is that the right notes at the wrong times are actually the wrong notes.

“Clair de Lune” and the Difficulty of Timing

When I decided to play “Clair de Lune,” I was not ready for how difficult the song would be. I typically played music from the Baroque or Classical periods (my favorite song that I learned how to play was Beethoven’s “Moonlight Sonata”), so I had some trouble with “Clair de Lune,” which is from the Impressionist period. See, playing the notes for “Clair de Lune” isn’t all that difficult. The timing of the notes, however, proved to be the bane of my existence.

The beauty of the song is caught up in the timing. A second too early and the tranquility of the song would evaporate. A second too late and the peace would linger long enough to be uncomfortable. Even if I played the right notes, I had to play them at the exact moment they were intended to be played.

I see this truth working itself out in everyday life. As Christians, we want to encourage and exhort our brothers and sisters to spur them on to love and good deeds. But, we also want to give the encouragement and exhortation at the right time. Solomon reminds us, “Like apples of gold in settings of silver, is a word spoken at the proper time” (Proverbs 25:11).

Perhaps the right word too early and a newly minted friendship is broken. Perhaps the right word a little too late and the friend has already embarked down a road that he can’t turn back.

We always hear it’s not what you say but how you say it. Maybe it would also be fair to say it’s not how you say it as much as when you say it.

Perhaps the right word too early and a newly minted friendship is broken. Perhaps the right word a little too late and the friend has already embarked down a road that he can’t turn back.

“Clair de Lune” and the Sustain Pedal

On the piano, there’s a pedal called the sustain pedal. If you press down on it while playing a note, you allow the strings on the piano to vibrate for longer, which allows you to extend the sound of the note even after you take your finger off the key.

Mastering the sustain pedal is integral to playing “Clair de Lune” well, especially if you want to achieve the peaceful, drawn-out sound so characteristic of the song. But, if you hold on to the note for too long, the note begins to interfere with the other notes. Eventually, the notes become all muddled together and create a harsh ringing sound. It’s almost like if you mix too many colors together and then get an ugly brown.

Overdoing the pedal reminds me of one of the reasons I actually came to Southeastern to study. I thought about pursuing an M.Div at my alma mater where I had great friendships, connections with professors, and a good job. All the “notes” sounded good. But it was time to move on. And if I tried to hold the notes out, it just wouldn’t have sounded right.

Sometimes, it’s time to move on. And that time often occurs before we are ready and when it seems that we should hold on to the present just a little bit longer. But a confident trust in a sovereign God can make it easier to let go of the pedal and move on to the next note.

Looking back, even though I started to dread the recital months in advance, pushing through the fear proved to be worth it since along the way I realized that the right notes at the wrong times are actually the wrong notes. And, being able to play Mozart and Beethoven was pretty fun too.

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Jacob Haley

Jacob serves as an editor at Denominational Digressions while also pursuing an Advanced M.Div at Southeastern Baptist Theological Seminary. Passionate about undermining the sacred/secular divide, Jacob works full time in the finance industry and runs Rising Scholars Tutoring Services to help students succeed in higher education. If Jacob isn't writing, you'll probably find him running, playing chess, or indoor rock climbing.

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